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TRI ET FILTRES
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Tri et filtres :
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ACCORDEON
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Trombone et Piano
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Quatuor de cuivres: 4 cors
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4 Tubas
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Euphonium
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Violon
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9
Alto seul
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Violon, Violoncelle (duo)
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2 Altos (duo)
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Trio à Cordes: violon, alto, violoncelle
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Contre Basse
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2
Harpe
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Contrebasse, Piano (duo)
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2 Contrebasses (duo)
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Trio à Cordes: 3 violoncelles
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Trio à cordes: 3 altos
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Alto (partie séparée)
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Orchestre d'harmonie
131
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Ensemble Jazz
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Ensemble de cuivres
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Batterie
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Fanfare
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Jazz combo
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AUTRES
Vous avez sélectionné:
Robert Lau
Partitions à imprimer
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Send Us Emmanuel (arr. Robert Lau)
Chorale SATB
(SATB) - Digital Download SKU: HX.459065 Composed by Thomas O. Chisholm. Arranged b…
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(SATB) - Digital Download SKU: HX.459065 Composed by Thomas O. Chisholm. Arranged by Robert Lau. Advent,Sacred. Choral. 6 pages. Duration 210. Published by Hal Leonard - Digital (HX.459065).
$2.10
1.96 €
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Chorale SATB
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Thomas O
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Robert Lau
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Send Us Emmanuel
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Hal Leonard - Digital
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SheetMusicPlus
Robert Lau: O Clap Your Hands - choir (SATB: soprano, alto, tenor, bass)
Chorale SATB
Instantly printable sheet music by Robert Lau for choir (SATB: soprano, alto, tenor, bass)…
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Instantly printable sheet music by Robert Lau for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / traditional,festival
$5.43
5.07 €
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Chorale SATB
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Robert Lau
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Virtualsheetmusic
Robert Lau: This Is the Day - choir (SATB: soprano, alto, tenor, bass)
Chorale SATB
Instantly printable sheet music by Robert Lau for choir (SATB: soprano, alto, tenor, bass)…
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Instantly printable sheet music by Robert Lau for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / easter,sacred
$4.13
3.85 €
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Chorale SATB
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Robert Lau
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Virtualsheetmusic
Robert Lau: What Can I Give To The Holy Child? - choir (SATB: soprano, alto, tenor, bass)
Chorale SATB
Instantly printable sheet music by Robert Lau for choir (SATB: soprano, alto, tenor, bass)…
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Instantly printable sheet music by Robert Lau for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / christmas,concert,advent,carol,festival
$6.48
6.04 €
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Chorale SATB
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Robert Lau
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Virtualsheetmusic
Hymn Preludes and Postludes
Orgue
Organ 3-staff - Intermediate - Digital Download Composed by Robert Lau. Sacred. Organ…
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Organ 3-staff - Intermediate - Digital Download Composed by Robert Lau. Sacred. Organ. 32 pages. Lorenz Publishing Company #70/2313L. Published by Lorenz Publishing Company
ISBN 9780787772987.<br> <br> A unique concept is behind this collection from beloved composer and arranger Robert Lau. For each of the chosen hymns of praise, there are two entirely different organ settings: one of quiet prelude (or offertory) character and one of extroverted postlude character. They can be used as individual pieces or played at the beginning and end of worship to provide coherent service bookends.
$21.00
19.59 €
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Orgue
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Robert Lau
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Hymn Preludes and Postludes
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Lorenz Publishing Company
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SheetMusicPlus
Arise, Shine
Chorale Unison
Unison and Piano - Digital Download SKU: LX.10-3414LA Composed by Robert Lau. Sacre…
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Unison and Piano - Digital Download SKU: LX.10-3414LA Composed by Robert Lau. Sacred Anthem, Epiphany. Octavo. 8 pages. Laurel Press #e10/3414LA. Published by Laurel Press (LX.10-3414LA). UPC: 000308199574.For children's or adult choirs, an easy-to-sing scriptural setting of the well-known text from Isaiah 60.
$2.40
2.24 €
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Chorale Unison
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Robert Lau
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Arise, Shine
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Laurel Press
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Piano Facile
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores
(like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):
[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly
$19.95
18.61 €
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Piano Facile
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mein gläubiges Herze
Voix Alto, Piano
Alto and piano - Digital Download SKU: S9.Q49228 Aus der Pfingstkantate BWV 68 A…
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Alto and piano - Digital Download SKU: S9.Q49228 Aus der Pfingstkantate BWV 68 Also hat Gott die Welt geliebet. Composed by Johann Sebastian Bach. This edition: Sheet music. Hosianna. Downloadable. Op 19. Musikverlag Robert Lienau - Digital #Q49228. Published by Musikverlag Robert Lienau - Digital (S9.Q49228). Key: D major. German ⢠English.
$6.99
6.52 €
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Voix Alto, Piano
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Johann Sebastian Bach
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Mein gläubiges Herze
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussys friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédiers adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagners Tristan und Isolde are that none of the action takes place in Cornwall and that Isolde of the White Hands is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its legendary character and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristans death. Even if he thought that Moureys poetry was not very lyrical and many passages do not exactly invite music, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, one of the 363 themes for the Roman de Tristan in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong Le Faucon. After a short atmospheric introduction, Debussys dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussys opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Moureys actual libretto has been lost and the project eventually foundered because Bédiers cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Moureys version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.65 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à lacte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 18931902 and the ballet Jeux for Diaghilevs Ballets Russes in 191213). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 190203); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 190817); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 191213; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his angel of corrections [lange des Corrections] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussys compulsive achievement could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feures 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to write a ballet for him that he would sign on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussys lost potential masterpieces from his existing sketches and draftsthen orchestrating them in Debussys style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.33 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à LHistoire de Tristan<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 18931902 and the ballet Jeux for Diaghilevs Ballets Russes in 191213). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 190203); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 190817); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 191213; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his angel of corrections [lange des Corrections] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussys compulsive achievement could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feures 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to write a ballet for him that he would sign on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussys lost potential masterpieces from his existing sketches and draftsthen orchestrating them in Debussys style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.33 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
10 wonderful TANGOS for guitar by Roberto Pugliese - Volumen 5
Guitare notes et tablatures
Guitar Tab - Digital Download Composed by A compilation. Arranged by Roberto Pugliese. …
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Guitar Tab - Digital Download Composed by A compilation. Arranged by Roberto Pugliese. 20th Century, South American. Individual Part, Score, Tablature. 58 pages. Published by Roberto Pugliese
Una compilación de 10 tangos arreglados y publicados por el maestro argentino: Roberto Pugliese. Diez tangos que permiten dada su alta calidad guitarrística incorporarlos en cualquier concierto de guitarra solista (segunda parte en TAB System). Certificado al 100%. "Con ellos viajé a 32 países en el mundo y dí conciertos en mas de 600 ciudades". Roberto Pugliese - A compilation of 10 tangos arranged and published by the Argentine master Roberto Pugliese. Ten tangos that allow given its high quality classical guitar incorporate them into any show solo guitar concert. Certificate 100%. "With them I traveled to 32 countries in the world and gave concerts in more than 600 cities." Roberto Pugliese.(Second part has TAB System) The list: Volver - tango (Gardel-Lepera) - Clavel del aire - tango (Filiberto) - Como dos extraños - tango (Laurenz-Contursi) - Cristal - tango (Mores-Contursi) El adios - tango (Huergo) - Farolito de papel - tango (Lespes) - Gotitas little dots - milonga (Pugliese) - La pulpera de Santa Lucia - vals (Maciel) - Sollosos - tango (Fresedo) - Poema - tango (Bianco-Melfi) ***Watch the playlist: https://www.youtube.com/playlist?list=PL47FhQjMw3y0Wk_UhS9mgTVwrwXUm_0wn
$20.99
19.58 €
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Guitare notes et tablatures
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A compilation
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Roberto Pugliese
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10 wonderful TANGOS for guitar by Roberto Pugliese - Volumen 5
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Roberto Pugliese
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SheetMusicPlus
Easy Classics Arranged for Organ (Digital Download)
Orgue
Organ 2-staff - Moderately easy - Digital Download SKU: LX.70-2103L Arranged by Rob…
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Organ 2-staff - Moderately easy - Digital Download SKU: LX.70-2103L Arranged by Robert Lau. General, Sacred. Organ. 16 pages. Lorenz Publishing - Digital Sheet Music #e70/2103L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2103L). ISBN 9780787760588.In the hands of a sensitive arranger like Robert Lau, classics originally scored for other instruments can become effective organ music. Lau's decades of experience are brought to bear on these selections from the classical literature, which he has idiomatically re-imagined for the organ. The result is short pieces useful as preludes, offertories, and postludes throughout the year.
$18.00
16.79 €
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Orgue
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Robert Lau
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Easy Classics Arranged for Organ
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
I Am the Vine
Chorale 2 parties
Composed by Robert Lau. Sacred Anthem, Christian Life, General. Octavo. 8 pages. Publish…
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Composed by Robert Lau. Sacred Anthem, Christian Life, General. Octavo. 8 pages. Published by Laurel Press (LX.10-3299LA). - octavo - Sacred Anthem, Christian Life, General - Laurel Press
$2.40
2.24 €
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Chorale 2 parties
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Robert Lau
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I Am the Vine
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Laurel Press
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SheetMusicPlus
Let Us Love One Another
Chorale SATB
SATB choir - Digital Download SKU: LX.10-2788S Composed by Arnold B. Sherman. Arran…
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SATB choir - Digital Download SKU: LX.10-2788S Composed by Arnold B. Sherman. Arranged by Robert Lau. Sacred Anthem. Octavo. 5 pages. Sacred Music Press #e10/2788S. Published by Sacred Music Press (LX.10-2788S). UPC: 000308066715.A quietly expressive and richly elegant choral setting by Robert C. Lau of a familiar tune sung in many Christians churches, and whose title says all that need be said in five simple words.
$2.40
2.24 €
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Chorale SATB
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Arnold B
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Robert Lau
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Let Us Love One Another
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Sacred Music Press
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SheetMusicPlus
Let Us Love One Another
Chorale SATB
SATB choir SKU: LO.10-2788S Composed by Arnold B. Sherman. Arranged by Robert Lau. …
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SATB choir SKU: LO.10-2788S Composed by Arnold B. Sherman. Arranged by Robert Lau. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/2788S. Published by Sacred Music Press (LO.10-2788S). UPC: 000308066715.A quietly expressive and richly elegant choral setting by Robert C. Lau of a familiar tune sung in many Christians churches, and whose title says all that need be said in five simple words.
Song List
: Let Us Love One Another
$2.75
2.57 €
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Chorale SATB
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Arnold B
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Robert Lau
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Let Us Love One Another
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Sacred Music Press
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SheetMusicPlus
God Is Our Refuge and Strength
Chorale SATB
SATB choir, organ SKU: LO.10-5266S Composed by Robert Lau. Choral. Sacred Anthem, G…
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SATB choir, organ SKU: LO.10-5266S Composed by Robert Lau. Choral. Sacred Anthem, General, Reformation. Octavo. Sacred Music Press #10/5266S. Published by Sacred Music Press (LO.10-5266S). ISBN 9780787765156.In this sturdy anthem, Robert Lau combines the powerful words of Psalm 46 with Martin Lutherâs classic hymn âA Mighty Fortress.â There is an option at the end of the song for congregational singing.
$2.75
2.57 €
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Chorale SATB
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Robert Lau
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God Is Our Refuge and Strength
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Sacred Music Press
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SheetMusicPlus
Three Preludes on American Hymns
Orgue
Organ: 3-staff - Intermediate SKU: LO.70-1401S Composed by Robert Lau. Sacred, Gene…
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Organ: 3-staff - Intermediate SKU: LO.70-1401S Composed by Robert Lau. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1401S. Published by Sacred Music Press (LO.70-1401S). UPC: 000308063707.In a simple yet quite artistic style, Robert Lau has handsomely set three beloved American hymn tunes. Each is adroitly fashioned using contrasting compositional methods resulting in a practical collection in which each piece comfortably stands alone or as part of a suite of hymns. Whatever its ultimate use, these attractive settings will be a welcome addition to any organist's repertoire.
Song List
: Come Thou Fount of Every Blessing My Lord What A Morning Tis The Gift To Be Simple
$25.00
23.32 €
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Orgue
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Robert Lau
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Three Preludes on American Hymns
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Sacred Music Press
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SheetMusicPlus
Communion Interludes
Orgue
Organ 3-staff - Moderately easy - Digital Download SKU: LX.70-2379L Organ Settin…
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Organ 3-staff - Moderately easy - Digital Download SKU: LX.70-2379L Organ Settings of Eucharistic Hymns. Composed by Robert Lau. Sacred, General, Communion. Organ. 24 pages. Lorenz Publishing - Digital Sheet Music #e70/2379L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2379L). Organists always need suitable repertoire for communion, and the ever-practical Robert Lau has provided eight easy and useful settings of familiar communion hymns that appear in most hymnals. The settings are intentionally brief so as to provide flexible combination options for the variable length of communion distribution.
$21.00
19.59 €
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Orgue
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Robert Lau
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Communion Interludes
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Masterworks for Organ
Orgue
Easy Arrangements of Organ Classics. Arranged by Robert Lau. Sacred. 28 pages. Lore…
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Easy Arrangements of Organ Classics. Arranged by Robert Lau. Sacred. 28 pages. Lorenz Publishing Company #70/1924L. Published by Lorenz Publishing Company (LX.70-1924L). - - Sacred - Lorenz Publishing Company
$21.00
19.59 €
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Orgue
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Robert Lau
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Masterworks for Organ
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Lorenz Publishing Company
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SheetMusicPlus
Sing Lullaby
Chorale SATB
Composed by Robert Lau. Sacred Anthem, Christmas. Octavo. 8 pages. Published by Lorenz Pu…
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Composed by Robert Lau. Sacred Anthem, Christmas. Octavo. 8 pages. Published by Lorenz Publishing - Digital Sheet Music (LX.10-2035L). - octavo - Sacred Anthem, Christmas - Lorenz Publishing - Digital Sheet Music
$2.40
2.24 €
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Chorale SATB
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Robert Lau
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Sing Lullaby
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
So Said the Lord That Night
Chorale SATB
Composed by Robert Lau. Sacred Anthem, Communion, Holy Week. Octavo. 8 pages. Lorenz Pub…
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Composed by Robert Lau. Sacred Anthem, Communion, Holy Week. Octavo. 8 pages. Lorenz Publishing Company #10/2606L. Published by Lorenz Publishing Company (LX.10-2606L). - octavo - Sacred Anthem, Communion, Holy Week - Lorenz Publishing Company
$2.40
2.24 €
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Chorale SATB
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Robert Lau
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So Said the Lord That Night
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Lorenz Publishing Company
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SheetMusicPlus
Advent through Easter
Orgue
Organ Music for the Church Year. Composed by Robert Lau. Sacred, Christmas, Easte…
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Organ Music for the Church Year. Composed by Robert Lau. Sacred, Christmas, Easter, Epiphany, General, Holy Week, Lent. 24 pages. Lorenz Publishing Company #70/1962L. Published by Lorenz Publishing Company (LX.70-1962L). - - Sacred, Christmas, Easter, Epiphany, General, Holy Week, Lent - Lorenz Publishing Company
$21.00
19.59 €
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Orgue
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Robert Lau
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Advent through Easter
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Lorenz Publishing Company
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SheetMusicPlus
Music from the Psalms
Orgue
Preludes, Offertories, and Postludes for Organ. Composed by Robert Lau. Sacred. 28 …
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Preludes, Offertories, and Postludes for Organ. Composed by Robert Lau. Sacred. 28 pages. Lorenz Publishing Company #70/2031L. Published by Lorenz Publishing Company (LX.70-2031L). - - Sacred - Lorenz Publishing Company
$21.00
19.59 €
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Orgue
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Robert Lau
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Music from the Psalms
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Lorenz Publishing Company
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SheetMusicPlus
Symphonic Hymns for Organ
Orgue
Familiar Hymn Tunes Paired with Orchestral Excerpts. Composed by Robert Lau. Sacred…
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Familiar Hymn Tunes Paired with Orchestral Excerpts. Composed by Robert Lau. Sacred, Easter, General. 28 pages. Published by Lorenz Publishing Company (LX.70-1905L). - - Sacred, Easter, General - Lorenz Publishing Company
$21.00
19.59 €
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Orgue
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Robert Lau
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Symphonic Hymns for Organ
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Lorenz Publishing Company
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SheetMusicPlus
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